Un diálogo entre «Clueless» (1995) y «Emma.» (2020): la heroína posfeminista y feminista de la cuarta ola en las adaptaciones de Austen
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Este artículo explora la influencia de la novela Emma de Jane Austen (1815) y su adaptabilidad a contextos contemporáneos, examinando la adaptación de Cher en Clueless (dir. Heckerling, 1995) y Emma en Emma. (dir. de Wilde, 2020). Cher personifica la arquetípica heroína posfeminista de los años 90, con sus contradicciones inherentes y la perpetuación de ciertos discursos problemáticos. Por el contrario, a pesar de estar ambientada en la época de la Regencia, la Emma más reciente presenta un personaje más humanizado con una actitud feminista más acorde con los ideales del feminismo de la cuarta ola.
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