«If I Never Saw the Moon, Then the Moon Was Never There»: la influencia de Film, de Alan Schneider y Samuel Beckett, en The Book of Illusions, de Paul Auster
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En este artículo analizo la relación intertextual entre The Book of Illusions (2002), de Paul Auster, y Film (1965), de Alan Schneider y Samuel Beckett. Deteniéndome en las diferentes formas en las que el autor norteamericano alude a este cortometraje, propongo que, en The Book of Illusions, Auster reinterpreta Film a partir de algunas de las fijaciones recurrentes en su obra, como las duplicidades de la identidad o las vidas dedicadas a la escritura; en concreto, apunto a que la máxima de Berkeley, esse est percipi (‘ser es ser percibido’), la base de la que parte Film, se convierte en uno de los ejes temáticos de la novela.
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