THE SCULPTOR ENRIQUE MORENO AND THE ARTISTIC CURRENTS OF VANGUARD

Abstract

The present study aims to establish a series of tools that allow us to develop an interpretation of the work of the Cordovan sculptor, Enrique Moreno. For this purpose, an analysis of his production has been projected in relation to the influence coming from the avant-garde artistic currents. Social and biographical aspects indispensable for the study of his work will be taken into account, as well as the creation, from the access to its cataloguing, of what we will call his aesthetic ideology. A defense of the author will be presented in consideration of his leading role in the art of twentieth-century Cordoba.