Soumissions

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Liste de vérification de la soumission

En tant que partie intégrante du processus de soumission, les auteurs doivent s'assurer de la conformité de leur soumission avec tous les éléments suivants, et les soumissions peuvent être retournées aux auteurs qui ne sont pas conformes à ces directives.

  • El envío no ha sido publicado previamente ni se ha sometido a consideración por ninguna otra revista (o se ha proporcionado una explicación al respecto en los Comentarios al editor/a).
  • El archivo de envío está en formato OpenOffice, Microsoft Word, RTF o WordPerfect.
  • Siempre que sea posible, se proporcionan direcciones URL para las referencias.
  • El texto tiene interlineado sencillo; 12 puntos de tamaño de fuente; se utiliza cursiva en lugar de subrayado (excepto en las direcciones URL); y todas las ilustraciones, figuras y tablas se encuentran colocadas en los lugares del texto apropiados, en vez de al final.
  • El texto se adhiere a los requisitos estilísticos y biliográficos resumidos en las Directrices del autor/a, que aparecen en Acerca de la revista.
  • Si se envía a una sección evaluada por pares de la revista, deben seguirse las instrucciones en Asegurar una evaluación anónima.

Directives aux auteurs

Always give full bibliographical information of the sources that you have cited. This section of your paper should begin in a new page. The title Works Cited(or Obras citadas) should be centered, 11pts and bold. Then leave a 10pts space and begin your list in the following line. Your bibliography list should be 10pts, single-spaced and flushed left. Always use French indentation of your sources by 0,5 cms.

Sources usually fall within different categories: books; chapters in books, or papers in conference proceedings; and articles in a journal. However, other categories can be found too. Below you can find some examples of the aforementioned different types. Follow them strictly.

Works Cited

Allen-Randolph, Jody (1993). “An Interview with Eavan Boland.” PN Review20.1: 52-57.

Allen-Randolph, Jody (2008). Eavan Boland: A Critical Companion. New York: W.W. Norton.

Aristotle (2007). Poetics. Trans. S. H. Butcher. The Internet Classics Archive. Web Atomic and Massachusetts Institute of Technology, 13 Sept. 2007. URL: http://classics.mit.edu/Aristotle/poetics.html. Last access: 4 Feb 2013.

Avison, Margaret (1991). Selected Poems. Toronto: Oxford UP.

Laguna Mariscal, Gabriel (2013). “El vegetarianismo de Plutarco y su proyección en la cultura moderna: la canción ‘Sarcofagia’ de Franco Battiato.” In Germán Santana Henríquez (ed.). Plutarco y las Artes: XI Simposio Internacional de la Sociedad Española de Plutarquistas. Madrid: Ediciones Clásicas, 411-420.

Moore, Jennifer (2012). “‘Something that stutters sincerely’: Contemporary poetry and the aesthetics of failure.” Jacket2 2: n. pag. URL: http://jacket2.org/article/something-stutters-sincerely. Last access: 10 Feb 2013.

Traver Vera, Jacinto (2014). “Templa serena against Acherusia templa: Materialistic Explanation of Ghosts in Lucretius.” Littera aperta 2: 25-46. URL: https://www.uco.es/litteraaperta/index.php/litteraaperta/article/download/15/pdf. Last access: 10 December 2015.

Vonnegut, Kurt (1969). Slaughterhouse-Five. New York: Delacorte Press.

Mention de droit d'auteur

Authors who publish with Littera Aperta agree to the following terms:

  1. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution 4.0 International License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
  2. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
  3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access).