A Hadith Condemned at Paris: Reactions to the Power of Impression in the Latin Translation of al-Ghazālī’s Maqāṣid al-falāsifa

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Anthony MINNEMA

Abstract

Of the more than two-hundred articles of the Parisian Condemnation of 1277, one contains an arresting reference to a camel that is killed by a magician by means of sight alone through the power of the Evil Eye. While it is difficult to identify the sources of many doctrines in the edict with certainty, this article can be matched positively to a discussion of the soul’s power of impression in the Latin translation of al-Ghazali’s Maqāṣid al-falāsifa. The concept of impression was condemned on account of its association with the Agent Intellect and the theory of emanation, but many philosophers preserved the illustrative example of the camel even when refuting the attendant argument. Unbeknownst to the Latin world, however, this statement about a camel does not originate with al-Ghazali, but with the Prophet Muhammad. This study traces the origin of the article in the Condemnation of 1277 back through Arabic and Persian worlds and examines its reception in the Latin intellectual tradition from the twelfth to the fifteenth century. It also demonstrates that, despite condemnation’s influence and notoriety, its interpretation of this passage in al-Ghazali was not the dominant one in the Latin intellectual tradition. The majority of scholars instead interpreted this passage as al-Ghazali originally intended as an expression of speculative metaphysics, not magic.

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How to Cite
MINNEMA, A. (2017). A Hadith Condemned at Paris: Reactions to the Power of Impression in the Latin Translation of al-Ghazālī’s Maqāṣid al-falāsifa. Mediterranea, International Journal on the Transfer of Knowledge, 2, 145–162. https://doi.org/10.21071/mijtk.v0i2.6718
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