Estética y teoría de la sensibilidad en el pensamiento andalusí

Abstract

Understanding Aesthetics in it's etymological meaning as the "science of the perception" makes any study of the theory of the sensibility essential to understand a given aesthetics. Moreover, theories of sensibility and knowledge in Arabic and Islamic classical culture, have hardly been probed in it's aesthetic dimension. As a result of this, the spread of conceptualizations about Arabic and Islamic aesthetics has, in many cases, sunk in a sea of imprecisions and prejudgements. In the following pages, we present an approximation of these topics through works of greats thinkers from Al-Andalus such as Ibn Hazm, Ibn Bayya, Ibn Tufayl, Ibn Rusd, Hazim al-Qartayanni, Ibn 'Arabi and Ibn Jaldun, in whose works we appreciate a clear, though diverse, intention of constituting a cognizant and percipient human subject, ethically and aesthetically defined, across psychologies and concepts that we will also discover in the construction of Aesthetics in the West.