Visio artis, Simbolismo, Analogía y Ontología en el Arte de Ramon Llull / Visio artis, Symbolism, Analogy and Ontology in the Art of Ramon Llull

Abstract

This article analyses the original core of the ‘Art’ of Ramon Llull, which, according to the author, was the result of a vision on Mount Randa. We start from the paradoxical fact that Llull describes his Art as a result of an immediate revelation, but throughout his life constantly reworked the artistic structure, in both formal and procedural aspects. We thus take a hermeneutical approach to the ontology, logic and symbolism of Llull’s Art to define as precisely as possible what remained constant through the changes. We conclude that the so-called ‘illumination of Randa’ was actually a mystical vision of the cosmos and its internal relations, but not the argumentative process of the Art, which Llull clarified over the course of his life.