Vol. 10 (2026): Número especial: "El cine en común: saberes, miradas y transmisión". Ana Melendo Cruz y Álvaro Martínez Sánchez (Coord.) | SERIARTE. Revista científica de series televisivas y arte audiovisual

Número especial: El cine en común: saberes, miradas y transmisión. Ana Melendo Cruz y Álvaro Martínez Sánchez (Coord.)

DOI: https://doi.org/10.21071/seriarte.v10i

Published: 2026-07-13

Pedro Poyato and the art of investigating cinema

Ana Melendo Cruz

13-20

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The look and the dialogue of Pedro Poyato with the cinema

María José Redondo Cantera, José Luis Cano de Gardoqui García

23-42

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Dust in love. "Abismos de pasión" (Luis Buñuel, 1954)

Santos Zunzunegui Díez

45-58

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The representation of the "Mad Doctor" and its creation in "Miss Death" (Jess Franco, 1965)

Agustín Gómez Gómez, Nekane Parejo

59-80

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Collaboration between artists and researchers: how can we work together?

Pascale Thibaudeau

81-106

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Between mimesis and diegesis in "Poquita fe"

José Luis Sánchez Noriega

107-118

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"Anatomía de un instante" (The Anatomy of a Moment): from Javier Cercas’ novel to the TV thriller by Alberto Rodríguez

Celia Fernández Prieto

119-135

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The Behaviorist Technique In "Santa Olaja de acero" By Ignacio Aldecoa

Mª Ángeles Hermosilla Álvarez, Cristina Jiménez Gómez

137-159

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Nonfiction novel and mockumentary: the (mis)alignment of two discourses anchored reality

María Paz Cepedello Moreno

161-175

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The 20th century female artist in narrative cinema

Gloria Camarero Gómez

177-200

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Urban Portraits In Jules Dassin’S Cinema. The Case Of París In "Rififí, 1955"

Manuel Jódar Mena

201-221

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The twilight of the police hero in Andrea di Stefano’s film "Last Night in Milan": the night Franco Amore (did not) retire(d)

Diane Bracco

223-245

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Forms and discourses of Nicolas Winding Refn: "Too Old to Die Young" (2019)

Fernando Luque Gutiérrez

247-273

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Folkloric traditions, popular stereotypes, and processes of formal signification in Florián Rey’s Andalusia

Alberto Añón Lara

275-295

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More Connections between Luis Buñuel and René Magritte: collage-discourse, exploded narrative, threshold and moment of panic in "The Phantom of Liberty" (Luis Buñuel, 1974)

Jesús España Rodriguez

297-318

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Rewritings of male desire in the western of almodóvarian cinema

Álvaro Martínez Sánchez

319-340

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The untamed feminine nature in Lars von Trier: the witch in "Antichrist" (2009)

Daniel Alcázar Sainz

343-366

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Acting creation processes in chilean soap operas during the transition to democracy: situated study approaches to characterization

Pablo Cisternas, Milena Grass, Andrés Kalawski

367-389

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16mm Cinema As An Aesthetic And Narrative Choice In Contemporary Fantastic Cinema

Fran Mateu

391-414

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Masculinities on Screen: Transformations and crises in contemporary television series

Fabiola Alcalá Aguiano

415-434

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Between Buñuel, Almodóvar, and Hollywood: Cinema as Conceived by Pedro Poyato Sánchez. A Bibliographic Tribute to a Career Dedicated to the Analysis of the Cinematic Image.

Rafael Ángel Rodríguez López

437-444

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Opinion

Pedro Poyato and the art of investigating cinema

Conversaciones

The look and the dialogue of Pedro Poyato with the cinema

Dedicado al Profesor Pedro Poyato

Dust in love. "Abismos de pasión" (Luis Buñuel, 1954)

The representation of the "Mad Doctor" and its creation in "Miss Death" (Jess Franco, 1965)

Collaboration between artists and researchers: how can we work together?

Between mimesis and diegesis in "Poquita fe"

"Anatomía de un instante" (The Anatomy of a Moment): from Javier Cercas’ novel to the TV thriller by Alberto Rodríguez

The Behaviorist Technique In "Santa Olaja de acero" By Ignacio Aldecoa

Nonfiction novel and mockumentary: the (mis)alignment of two discourses anchored reality

The 20th century female artist in narrative cinema

Urban Portraits In Jules Dassin’S Cinema. The Case Of París In "Rififí, 1955"

The twilight of the police hero in Andrea di Stefano’s film "Last Night in Milan": the night Franco Amore (did not) retire(d)

Forms and discourses of Nicolas Winding Refn: "Too Old to Die Young" (2019)

Folkloric traditions, popular stereotypes, and processes of formal signification in Florián Rey’s Andalusia

More Connections between Luis Buñuel and René Magritte: collage-discourse, exploded narrative, threshold and moment of panic in "The Phantom of Liberty" (Luis Buñuel, 1974)

Rewritings of male desire in the western of almodóvarian cinema

Miscelánea

The untamed feminine nature in Lars von Trier: the witch in "Antichrist" (2009)

Acting creation processes in chilean soap operas during the transition to democracy: situated study approaches to characterization

16mm Cinema As An Aesthetic And Narrative Choice In Contemporary Fantastic Cinema

Masculinities on Screen: Transformations and crises in contemporary television series

Book Reviews

Between Buñuel, Almodóvar, and Hollywood: Cinema as Conceived by Pedro Poyato Sánchez. A Bibliographic Tribute to a Career Dedicated to the Analysis of the Cinematic Image.