Las firmas autorales y el lenguaje cinematográfico de Elia Suleiman como Autor en el cine Palestino contemporáneo
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Abstract
Suleiman es un cineasta palestino de renombre internacional cuyas películas han cautivado a audiencias internacionalmente y se han vuelto universales. Ha recibido elogios de numerosos críticos de todo el mundo y ha sido nominado para múltiples premios en festivales de cine internacionales, ganando varios de ellos. Divine Intervention, dirigida por Suleiman, ganó el Premio Elección del Jurado en el Festival de Cine de Cannes 2002, considerado como el segundo honor más significativo después de la Palma de Oro. Además, se convirtió en el primer director palestino en ganar un premio de la Academia de Cine Europea. A través del análisis del lenguaje cinematográfico y de los elementos recurrentes en el cine de Elia Suleiman bajo la teoría del autor, se puede argumentar que Suleiman es un verdadero autor cuyo cine exhibe muchas firmas autorales: comedia negra, no linealidad y repetición, un estilo de edición distintivo, una cámara fija, silencio, autorreflexividad y un encuadre simétrico. Además, el tema principal de sus obras es la representación de las circunstancias sociopolíticas que rodean problemas de identidad y desplazamiento.
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