Beyond the image: Isabel Latorre and the construction of sound universes for cinema

Abstract

Isabel Latorre has built a unique musical language within cinema, in which sound experimentation and audiovisual narration intertwine to create immersive atmospheres and meanings that transcend the image. Her work is distinguished by an innovative approach to composition, moving away from traditional formulas to explore textures and structures that enrich the cinematographic narrative. The work of this composer strengthens the cinematic narrative and redefines the role of music in the construction of filmic meaning. Her ability to expand the boundaries of sound in filme demonstrates that the soundtrack is not a mere accompaniment, but an expressive element with its own identity. Through his work, Latorre opens the way to new ways of understanding and feeling music in the seventh art. This article analyzes her creative process, unraveling how her training and career have influenced her style. It examines her ability to give emotional depth to the image through sound and her way of challenging the limits of film music. In addition, her work is contextualized within the panorama of contemporary female composers, making visible the challenges and transformations in a field historically dominated by men.