From Disabilities to Capabilities: testing subtitles in immersive environments with end users
Contenido principal del artículo
Resumen
User testing in media accessibility has often profiled users based on their disabilities: subtitles for the deaf and hard of hearing, for instance, have been generally tested with their expected target audience, which is deaf and hard-of-hearing users. This article argues that selecting users based on sensorial disabilities may not be the best strategy to obtain relevant results, as other capabilities—for instance, technological capabilities—may have a greater impact on the results. Moreover, the article argues that access services should not be exclusively aimed at persons with disabilities but can actually benefit all audiences. If accessibility is mainstreamed, and ideally integrated in the creation and production processes, testing should expand from an exclusive approach based on accessibility to a more general approach based on usability in which users with diverse capabilities are considered.
To illustrate this point and propose a new approach to user testing in media accessibility, in which we would move from a disability to a capabilities model, specific examples from the EU funded project ImAc (Immersive Accessibility) project are shown in a chronological order. Then, the article presents the initial testing, targeting persons with disabilities, and describes the poor data results leading to a new approach. We propose a new testing focus and justify the methodological shift. Then, we describe the second test in which the new approach is implemented, using the same stimuli but different able technology users. The article finishes with conclusions and final remarks in which we open the door to a move from an accessibility approach to testing to a usability approach.
Descargas
Detalles del artículo
Los autores que publican en esta revista aceptan las siguientes condiciones:
- Los autores conservan los derechos de autor y conceden a la revista el derecho de primera publicación con el trabajo simultáneamente bajo una Licencia de Atribución Creative Commons que permite a otros compartir el trabajo con un reconocimiento de la autoría del trabajo y la publicación inicial en esta revista.
- Los autores pueden llegar a acuerdos contractuales adicionales por separado para la distribución no exclusiva de la versión publicada del trabajo en la revista (por ejemplo, enviarlo a un repositorio institucional o publicarlo en un libro), con un reconocimiento de su publicación inicial en esta revista.
- Se permite y anima a los autores a publicar sus trabajos en línea (por ejemplo, en repositorios institucionales o en su sitio web) antes y durante el proceso de presentación, ya que puede dar lugar a intercambios productivos, así como a una citación más temprana y mayor del trabajo publicado (Véase El efecto del acceso abierto).
Bibliografía
Asociación Española de Normalización y Certificación (AENOR) (2003). Subtitulado para personas sordas y personas con discapacidad auditiva. Subtitulado a través del teletexto (Norma UNE 153010). Retrieved from: http://implantecoclear.org/documentos/accesibilidad/UNE_153010_2012.pdf.
Arnáiz-Uzquiza, V. (2008). La Objetividad en el Subtitulado. Justificación de los Parámetros Formales Mediante EyeTracking. In A. Pérez-Ugena, and R. Vizcaíno (Eds.), ULISES: Hacia el desarrollo de tecnologías comunicativas para la igualdad de oportunidades. Retos y perspectivas para sordos signantes (pp. 73-85) Madrid, España: Observatorio de las Realidades Sociales y de la Comunicación.
Arnáiz-Uzquiza, V. (2012). Subtitling for the deaf and the hard-of-hearing: Some parameters and their evaluation (Doctoral thesis). Universitat Autònoma de Barcelona, Spain. Retrieved from: https://www.tdx.cat/handle/10803/117528.
Bartoll, E. (2004). Parameters for the classification of subtitles. In P. Orero (Ed.), Topics in Audiovisual Translation (pp. 53-60). Amsterdam, Netherlands and Philadelphia, USA: John Benjamins.
Bartoll, E. (2008). Paràmetres per a una taxonomia de la subtitulació (Doctoral thesis). Universitat Pompeu Fabra, Spain. Retreived from https://repositori.upf.edu/handle/10230/12088.
Bartoll, E. (2012). La subtitulació: Aspectes teòrics i pràctics. Barcelona, Spain: Eumo.
Bartoll, E., and Martínez-Tejerina, A. (2010). The positioning of subtitles for the deaf and hard of hearing. In A. Matamala, and P. Orero (Eds.), Listening to Subtitles: Subtitles for the Deaf and Hard of Hearing (pp. 69-86). Bern, Switzerland: Peter Lang.
Bernard, M., Chia, H. L., and Mills, M. (2001). The effect of font type and size on the legibility and reading time of online text by older adults. In CHI EA’01 Extended Abstracts on Human Factors in Computer Systems (pp. 175-176). New York, USA: ACM.
Brown, A. and Patterson, J. (2017). Designing Subtitles for 360° Content. In BBC Research & Development blog. Retrieved from http://www.bbc.co.uk/rd/blog/2017-03-subtitles-360-video-virtual-reality.
Brown, A. (2017). User Testing Subtitles for 360° Content. In BBC Research & Development blog. Retrieved from http://www.bbc.co.uk/rd/blog/2017-10-subtitles-360-video-virtual-reality-vr.
Brown, A., Turner, J., Patterson, J., Schmitz, A., Armstrong, M., and Glancy, M. (2017). Subtitles in 360-degree Video. In TVX '17 ACM International Conference on Interactive Experiences for TV and Online Video (pp. 3-8). New York, USA: ACM.
Brown, A., Turner, J., Patterson, J., Schmitz, A., Armstrong, M., and Glancy, M. (2018). Exploring Subtitle Behaviour for 360° Video. [White Paper]. Retrieved from https://www.bbc.co.uk/rd/publications/whitepaper330.
Brown, S., and Lent, R. (eds.) (2008). Handbook of Counseling Psychology. New Jersey, USA: Wiley.
Díaz-Cintas, J., Orero, P., and Remael, A. (Eds.) (2007). Media for all: subtitling for the deaf, audio description, and sign language. Amsterdam, Netherlands: Rodopi.
Dubois, J. L., and Trani, J. F. (2009). Extending the capability paradigm to address the complexity of disability. ALTER, European Journal of Disability Research, 3, 192–218.
D’Ydewalle, G., Pollet, J., and van Rensbergen, J. (1987). Reading a message when the same message is available auditorily in another language: the case of subtitling. In J.K. O’Regan, and A. Lévy-Schoen (Eds.), Eye Movements: From Physiology to Cognition (pp. 313-321). North Holland, Netherlands: Elsevier Science Publishers.
D’Ydewalle, G., Praet, C., Verfaillie, K., and van Rensbergen, J. (1991). Watching Subtitled Television: Automatic Reading Behaviour. Communication Research, 18(5), 650-666.
D’Ydewalle, G., and Gielen, I. (1992). Attention Allocation with Overlapping Sound, Image, and Text. In K. Rayner (Ed.), Eye Movements and Visual Cognition (pp. 415-527). New York, USA: Springer Verlag.
D’Ydewalle, G., and Pavakanun, U. (1997). Could enjoying a movie lead to language acquisition? In P. Winterhoff-Spurk and T.H. van der Voort (Eds.), New horizons in media psychology (pp. 145–55). Opladen, Germnay: Westdeutscher Verlag.
D’Ydewalle, G., and van de Poel, M. (1999). Incidental foreign language acquisition by children watching subtitled television programs. Journal of Psycholinguistic Research, 28, 227–244.
De Bruycker, W.Y., and d’Ydewalle, G. (2003). Reading Native and Foreign Language Television Subtitles in Children and Adults. In J. Hyöna, R. Radach, and H. Deubel (Eds.), The Mind’s Eye: Cognitive and Applied Aspects of Eye Movement Research (pp. 671-684). Amsterdam, Netherlands: Elsevier Science Publishers.
Di Giovanni, E., and Gambier, Y. (Eds.) (2018). Reception Studies and Audiovisual Translation. Amsterdam, Netherlands: John Benjamins.
Ellis, G. (2016). Impairment and Disability: Challenging Concepts of “Normality”. In A. Matamala and P. Orero (Eds.), Researching Audio Description (pp. 35-45). London, UK: Palgrave Macmillan.
Greco, G. M. (2016). On Accessibility as a Human Right, with an application to Media Accessibility. In A. Matamala, and P. Orero (Eds.), Researching Audio Description. London, UK: Palgrave Macmillan.
Hu, Y., Kautz, J., Yu, Y., and Wang, W. (2015). Speaker-Following Video Subtitles. ACM Transactions on Multimedia Computing, Communications, and Applications, 11(2).
Hughes, C. J., Armstrong, M., Jones, R., and Crabb, M. (2015). Responsive Design for Personalised Subtitles. In W4A '15 Proceedings of the 12th Web for All Conference. New York, USA: ACM.
International Organization for Standardization (forthcoming). Information technology -- User interface component accessibility -- Part 23: Visual presentation of audio information (including captions and subtitles) (Standard no. ISO/IEC FDIS 20071-23). Retrieved from: https://www.iso.org/standard/70722.html.
International Telecommunication Union (ITU) (2017). Question 7/1: Access to telecommunication/ICT services by persons with disabilities and with specific needs [Report]. Retrieved from https://www.itu.int/dms_pub/itu-d/opb/stg/D-STG-SG01.07.4-2017-PDF-E.pdf
Lambooij, M., Murdoch, M. J., Ijsselsteijn, W. A., and Heynderickx, I. (2013). The impact of video characteristics and subtitles on visual comfort of 3D TV. Displays 34(1), 8-16.
Linder, G. (2016). ACCESS SERVICES PAN EUROPEAN SURVEY 2016 [Report]. Retrieved from: https://www.ebu.ch/publications/access-services-pan-european-survey-2016.
Marks, D. (1997). Models of Disability. Disability and Rehabilitation, 19(3), 85-91.
Matamala, A., Orero, P., Rovira-Esteva, S., Casas-Tost, H., Morales, L. F., Soler-Vilageliu, O., Agulló, B., Fidyka, A., Segura, D. and Tor-Carroggio, I. (2018). User-centric approaches in Access Services Evaluation: Profiling the End User. In I. Schuurman, L. Sevens, V. Yaneva, J. O’Flaherty (Eds.), Proceedings of the LREC 2018 Workshop. “Improving Social Inclusion using NLP: Tools, Methods and Resources” (pp. 1-8). Miyazaki, Japan: ISI-NLP 2.
Miquel-Iriarte, M. (2017). The reception of subtitling for the deaf and hard of hearing: viewers’ hearing and communication profile & Subtitling speed of exposure (Doctoral thesis). Universitat Autònoma de Barcelona, Spain. Retrieved from: https://www.tdx.cat/handle/10803/403811
Mitra, S. (2006). The Capability Approach and Disability. Journal of Disability Policy Studies, 16(4), 236 – 247.
Neves, J. (2007). There is Research and Research: Subtitling for the Deaf and Hard of Hearing (SDH). In C. Jiménez (Ed.), Traducción y Accesibilidad. Subtitulación para sordos y audiodescripción para ciegos: Nuevas modalidades de Traducción Audiovisual. Frankfurt, Germany: Peter Lang.
Neves, J. (2008). 10 fallacies about Subtitling for the d/Deaf and the hard of hearing. The Journal of Specialised Translation, 10, 128-143.
Oncins Noguer, E. (2014). Accessibility for the scenic arts (Doctoral thesis). Universitat Autònoma de Barcelona, Spain. Retrieved from: https://www.tdx.cat/handle/10803/133314.
Orero, P. (2008). Three different receptions of the same film. The Pear Stories applied to Audio Description. European Journal of English Studies 12 (2), 179–193
Orero, P., and Matamala, A. (2016). User-centric audio description: a topsy-turvy research approach. In A. Manco, and A. Mancini (Eds.), Scrittura brevi: segni, testi e contesti. Dalle iscrizione antiche ai tweet (pp. 376-387). Naples, Italy: Università degli Studi di Napoli "L'Orientale”.
Orero, P., Doherty, S., Kruger, J.L., Matamala, A., Pedersen, J., Perego, E., Romero-Fresco, P., Rovira-Esteva, S., Soler-Vilageliu, O., and Szarkowska, A. (forthcoming). Conducting experimental research in audiovisual translation (AVT): A position paper. The Journal of Specialised Translation, 30.
Orero, P., and Tor-Carroggio, I. (forthcoming). User requirements when designing learning e-content: interaction for all. In E. Kapros and M. Koutsombogera (Eds.), Designing for the User Experience in Learning Systems. Switzerland: Springer International Publishing.
Patel, S. (2016). 85 percent of Facebook video is watched without sound. In DigidayUK. Retrieved from https://digiday.com/media/silent-world-facebook-video/.
Perego, E., Del Missier, F., Porta, M., and Mosconi. M. (2010). The Cognitive Effectiveness of Subtitle Processing. Media
Psychology 13(3), 243–272.
Pereira, A. (2010). Criteria for elaborating subtitles for the deaf and hard of hearing adults in Spain: Description of a case study. In A. Matamala, and P. Orero (Eds.), Listening to subtitles (pp. 87-102). Vienna, Austria: Peter Lang.
Prensky, M. ( 2001). Digital Natives, Digital Immigrants. On the Horizon. 9 (5), 1–6.
Romero-Fresco, P. (2009). More haste less speed: edited vs. Verbatim respeaking. Vigo International Journal of Applied Linguistics, 6, 109–133.
Romero-Fresco, P. (2010). D’Artagnan and the Seven Musketeers: SUBSORDIG travels to Europe. In A. Matamala, and P. Orero (Eds.), Listening to subtitles (pp. 175-189). Vienna, Austria: Peter Lang.
Romero-Fresco, P. (2013). Accessible filmmaking: Joining the dots between audiovisual translation, accessibility and filmmaking. The Journal of Specialised Translation, 20, 201-223.
Romero-Fresco, P. (ed.) (2015). The Reception of Subtitles for the Deaf and Hard of Hearing in Europe. Bern, Switzerland: Peter Lang.
Szarkowska, A., Krejtz, I., Kłyszejko, Z., and Wieczorek, A. (2011). Verbatim, standard, or edited? Reading patterns of different captioning styles among deaf, hard of hearing, and hearing viewers. American Annals of the Deaf, 156(4), 363-378.
Szarkowska, A., Krejtz, I., Pilipczuk, Dutka, L., and Kruger, J.L. (2016). The effects of text editing and subtitle presentation rate on the comprehension and reading patterns of interlingual and intralingual subtitles among deaf, hard of hearing and hearing viewers. Across Languages and Cultures, 17(2), 183-204
Tsaousi, A. (2017). Sound effect labelling in Subtitling for the D/deaf and Hard-of-Hearing: An experimental study on audience reception (Doctoral Thesis). Universitat Autònoma de Barcelona, Spain. Retrieved from: https://ddd.uab.cat/record/175831.
Tullis, T., and Albert, B. (2013). Measuring user experience. Collecting, analyzing, and presenting usability metrics. USA: Morgan Kaufmann.
Udo, J. P., and Fels, D. I. (2010). The rogue poster-children of universal design: closed captioning and audio description. Journal of Engineering Design, 21(2-3), 207-221.
Utray, F., Ruiz B., and Moreiro, J.A. (2010). Maximum font size for subtitles in Standard Definition Digital Television: Tests for a font magnifying application. In A. Matamala, and P. Orero (Eds.), Listening to Subtitles: Subtitles for the Deaf and Hard of Hearing (pp 59-68). Bern, Switzerland: Peter Lang.