Volume 12 (2023) | UCOARTE. Revista de Teoría e Historia del Arte

DOI: https://doi.org/10.21071/ucoarte.v12i

Published: 2023-12-15

Digital Humanities applied to the History of Art: The graph as a visualization tool of Late-Antique Roman Mosaics

Beatriz Garrido Ramos

9-19

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Aesthetics and Mysticism in “El filósofo autodidacto by Ibn Tufayl

Daniel Jesús Quesada Morales

20-31

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The architect Fernando Álvarez (c. 1490-1562). New contributions to his socio-professional profile through his inventory and property partition

Juan Antonio Moreno Arana

32-55

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Cathedral of Cartagena de Indias, Colombia, its evolutionary process over time

Ricardo Zabaleta

56-72

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The masterpiece of the colourful picto-poetic gallery of don Luis Carrillo y Sotomayor

Alice Migotto

73-92

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The sculptor Jacinto Pimentel (c. 1600-1676): New data for his biography

Francisco José Martín

93-103

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The sculptor Cecilio López Criado (C. 1601 – 1671). The artistic patronage of religious orders

María Soledad Lázaro Damas

104-127

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New contributions to the Palace of the dukes of Arcos in Sevilla. Plan, reports and construction of a tribune(1622-1627)

Fernando García Sánchez

128-140

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An allegory of Mount Carmel in a painting by Luis Juarez

Victor Cruz Lazcano

141-158

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The architectural complex of the Basilica of the National Vote of Quito as a visual representation of Catholic nationalism

Víctor Jácome Calvache

159-177

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The photographic mission of Tomás Camarillo in Guadalajara: Heritage, landscape and portrait

Víctor Iniesta Sepúlveda

178-199

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From Rationalism to Neo-Romanesque. Enrique Crespo and one Zamora sanatoria-residence between the avant-garde and the revival

Rafael Ángel García-Lozano

200-221

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Meta-architecture theoresis and quiddity, a brief demonstration of the concept of metaphysics of the work of art

Leonardo D'Angelo

222-235

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Yana Raymi Album Cover Art as an Expression of Peruvian Neobaroque: The Graphic Resistance of the Wanka Warriors

María de la Luz Núñez

236-260

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Portrait of a lady on fire (C´eline Sciamma, 2019): A vindictive re-reading of the role of women in History through the arts

Tania Padilla Aguilera, Silvia Ruiz Pérez

261-279

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The Artistic creation in the digital transformation. Re-signifying the label Contemporary Art in the Global Era.

Antonio Labella Martínez

280-296

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Reviews. Volume 12 (2023)

Carlos Morales Gálvez, Judit Faura González , Howard Villarreal Molina

297-309

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