Technical aspects of creative subtitling for people with hearing impairment: proposal for Toy Story 4
Main Article Content
Abstract
With the arrival of sound to film, subtitling moved down to a second place. Although subtitling was mostly created as a support for linguistic understanding, Romero-Fresco (2013; 2020) or McClarty (2012) are committed to an additional creativity, known as “creative subtitling”.
According to Romero-Fresco (2013; 2020), there should exist a relationship between filmmakers and subtitlers to get a final product whose effect is the same as in the original language.
Therefore, the present paper will consist in analysing the technical aspects of creative subtitling by comparing both conventional subtitling and creative subtitling, and a translation project will be created including creative subtitles to some parts of Toy Story 4 in order to observe which results can be obtained, such as the implementation of creative subtitles to animation films regarding some characters’ physical characteristics or the visual image.
Downloads
Article Details
Suggested policy for journals that offer open access
Authors who publish with this journal agree to the following terms:
1. Authors retain copyright and grant the journal the right of first publication with the work simultaneously licensed under a Creative Commons Attribution License, which allows others to share the work with an acknowledgement of authorship of the work and initial publication in this journal.
2. Authors may enter into additional contractual arrangements for non-exclusive distribution of the published version of the paper in the journal (e.g., submission to an institutional repository), with an acknowledgement of its initial publication in this journal.
3. Authors are allowed and encouraged to publish their work prior to the final version published in this journal once accepted (e.g., in institutional repositories or on their website), as it can lead to productive exchanges, as well as earlier and higher citation of the published work (see The Open Access Effect).